
THE LATEST WORDS
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The Falling Man
9-11-2026
From my stage play, THE TRAGIC AGE, written in 2014. As is so often the case, I don’t think I realized the magnitude of what I was writing about. Regardless, the image of the falling man has stayed with me for twenty-five years.Night. The distant sound of thunder. Lightning flickers in the room. Dakin stands stage center, lost in thought. The sudden sound of a woman crying out-
MACY (off) — Dakin – !! Dakin – !?
Dakin – Macy!?
MACY — Dakin…!
Macy enters. She is in night clothes. She is wild eyed, half screaming, half sobbing; unable to wake from her nightmare.
MACY — Dakin!! Where are you – Dakin – !
He moves to her, takes her in his arms – she struggles for a moment, then begins to quiet as he comforts her. He leads her to the couch.
Dakin — Sshhh, I’m here, it’s all right. Everything’s all right. I’m here.
MACY — I couldn’t wake up. I wanted to but I couldn’t wake up.
She begins to softly weep again.
Dakin — Shhh, it was a bad dream. Just a dream.
She speaks now, as if numb. As if the only way she can talk about it to keep detached from it.
MACY — It was about Spencer.
Dakin — Oh, Macy.
MACY — I know.
Dakin — Do you want to talk about it? (She shakes her head) It makes you feel better when you do.
Images on the stage scrim as:
MACY — I’m with him and he’s a little boy. We’re somewhere in a park and I’m pushing him on a swing. Back and forth, out and back. And I want to hold him, Dakin, I want to hold him still.
Dakin — Of course you do.
MACY — But I can’t. I push him and I catch him, push and catch. And then I hear the sound.
(It’s very faint. The sound of a jet plane.)
MACY — I realize the plane is coming.
Dakin — Macy –
MACY — I’m trying to tell myself it’s just a dream, something I saw and heard on television but I can’t help it… I look up. And it’s overhead… and I turn with it and I watch it go in. It’s as if the tower swallows it.
(Sound gone as it crashes into the South tower of the World Trade Center.)
MACY — I look back to the swing for Spencer… and he’s gone. And I know it’s a dream, Dakin, but Spencer is gone….
Dakin — You should stop now.
MACY — Let me finish! (a moment) I’m in the tower now, above the crash floor… where Spencer’s office was… I’m looking for him, Dakin. I’m calling for him. But I can’t find him. I can’t find Spencer, Dakin, I can’t find him. And then… I have to choose. All of us do. Will we burn… or will we jump. (Then, softly:) I jump.
On the stage scrim, the falling man, hurtling towards the ground, head first.
Dakin — Macy, we don’t know if he jumped or fell or went down with the whole goddamn thing.
MACY — And that’s what’s so hard.
Dakin — Come, let me take you back to bed. I’ll stay with you.
He lifts her in his arms.
MACY — You’ll hurt your back.
Dakin — No, I’m very strong.
MACY — When will I accept it, Dakin?
Dakin — I think – never.
The lights dim as they exit.
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Stephen Metcalfe is a playwright, screenwriter, and novelist. His plays have been produced Off-Broadway, regionally and internationally. His screen credits include HALF A LIFETIME, COUSINS, JACKNIFE, and BEAUTIFUL JOE as well as the production drafts of PRETTY WOMAN, ARACHNOPHOBIA, and MR. HOLLAND’S OPUS. He has worked for most major production companies in Hollywood. He is the author of three novels. THE TRAGIC AGE, was published by St. Martin’s Press in March of 2015. and THE PRACTICAL NAVIGATOR was published by St. Martin’s in August 2017. His novel, ATTACHMENT PATTERNS, was released by Austin-Macauley Publishers in April, 2023. He is an Associate Artist at The Old Globe Theatre in San Diego. — About Stephen Metcalfe
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